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Within that sphere we’re treated to a voice performance by Woods that is a small, hilarious, somewhat dismaying tour de force. Lauren doesn’t bother to keep a lid on his simmering contempt, he just recodes it as a stream of virtue-signaling cant. But on balance their subplots are just a distraction from the endless permutations of Lauren’s perpetual ego trip. (It’s less able to afford the dull stretches that start to crop up in later episodes.) But all things considered, “In the Know” is pretty funny.
Persons: Kaia Gerber, Ken Burns, Mike Tyson, Tegan, Sara —, Woods, Gabe Lewis, Lauren doesn’t, Jonathan Van Ness, Van Ness, Jennifer Lopez, , Norah Jones, James Earl Jones, Indiana Jones, Ravi Shankar, Lauren’s, Fabian, Caitlin Reilly, who’s, Sandy, Charlie Bushnell, Barb, Smith, Cameron, Carl, Carl Tart Organizations: Locations: Indian, Silicon
I hope it’s the beginning of an era,” says FastHorse, a member of the Sicangu Lakota Nation and a 2020 MacArthur Fellow. “The truth was most theaters had never produced a single play by a Native playwright. It may have been about some Native people, but it was not written by Native people. They would answer that they didn't know any Native playwrights or that there weren't enough Native audiences to power ticket sales. “I think one thing I’m just hoping that people take away from this play is like, ‘Wow, Native stories are really compelling.
Persons: Mary Kathryn Nagle, swindled, Nagle, “ I’m, , Larissa FastHorse, ” Nagle, Martin Scorsese’s, Ken Burns, , ” Madeline Sayet, what’s, FastHorse, Peter Pan, Jerome Robbins, Moose Charlap, Carolyn Leigh, Jule Styne, Betty Comden, Adolph Green, Lily fends, randy braves, , ” ___ Mark Kennedy Organizations: Cherokee Nation, Lakota, MacArthur, University of California, Natives, The, Arizona State University, Yale Indigenous Performing Arts Program, Civil Rights Movement, Mohegan Tribe, Public, Young, Broadway, Indians, “ redskins Locations: , New York City, “ Rutherford, Los Angeles, Oklahoma, The American Buffalo, New York, , Africa, Japan, Eastern Europe, South Dakota
“A lot of animals are going to go extinct in our lifetime, and here we have an example of how we managed to save that from happening,” says Burns. Yet he is reluctant to call this a happy ending. “I think the dimensions of the tragedy are so immense that you can’t just congratulate yourself for pulling out of a nosedive,” he says.
Persons: , Burns
A bison in Montana in 2019 Photo: Craig Mellish/PBSAs recounted during Ken Burns ’s two-night, four-hour “The American Buffalo,” an Irish peer named Sir St. George Gore embarked on a hunting trip to the American West in the mid-1850s, bringing along 50 people, six wagons, 21 carts, 112 horses and 50 dogs. He spent about a quarter of a million dollars en route to killing 1,500 elk, 2,000 deer, more than 1,000 antelope, 500 bear and 4,000 bison. He was so “wanton,” we are told, he even offended the frontiersmen who spent their days butchering wildlife. When he attempted to breach the Black Hills of South Dakota, the tribes there told him to go, or fight.
Persons: Craig Mellish, Ken Burns ’, , St, George Gore Organizations: PBS Locations: Montana, American Buffalo, American, South Dakota
Ken Burns says he has been thinking about the American buffalo all of his life: “It may be the most important mammal in the history of the United States.” He explains that this “magnificent” yet beleaguered animal, which roamed the Great Plains in the tens of millions less than 200 years ago, has often stalked the background of his films—figuratively and literally—during his career as a documentarian of Americana. “The buffalo intersects with all these interesting parts of American history,” he says, which is why he’s been plotting a project about its fate for nearly 40 years. But he’s glad that he waited. Time, he says, has helped him to better understand the nuances of what he calls an “epic American calamity.”
Persons: Ken Burns, , he’s Locations: United States
PBS acquired the docuseries “ Becoming Frida Kahlo,” about the artist, to replace it and it premiered last week. Political Cartoons View All 1179 ImagesPBS has also bought a few more scripted series that were made outside of the U.S., she said. Most of them are aimed at PBS' streaming service, although the Danish series “Seaside Hotel” has aired on the television network. A British drama about the lives of people fighting World War II, “World on Fire,” is premiering its second season in October. Other scripted series are on the docket, including “Unforgotten,” “Van Der Valk,” and “Little Bird,” the latter about an adopted woman who tries to investigate her personal history.
Persons: Ken Burns, , Paula Kerger, John Leguizamo, Kerger, Frida Kahlo, Burns, Jerry Brown, Floyd Abrams, Max Roach, , Vladimir Putin's, Nova, “ Unforgotten, Van Der Valk Organizations: PBS, Hollywood, Public Broadcasting Service, , Elon Musk's, Twitter, Houston Astros, Associated Press Locations: American Buffalo, U.S, Danish, , Boston, Elon, Mariupol
A new ProPublica story features a photo of filmmaker Ken Buns with Clarence Thomas and David Koch. But Burns released a statement making it clear he doesn't know Thomas. But more shocking to many was the lead photo, which featured star PBS documentarian Ken Burns sandwiched between Thomas and David Koch. Other than the taking of that photograph and innocuous pleasantries, that's the extent of his contact with Justice Thomas." So now we know: Ken Burns and Clarence Thomas are not pals, according to Burns.
Persons: Ken, Clarence Thomas, David Koch, Koch, Burns, Thomas, ProPublica, Ken Burns, he's, Justice Thomas Organizations: Service, PBS, Yorker, Supreme, Hollywood Locations: Wall, Silicon, Vietnam
courtesy Richard Avedon/The Richard Avedon FoundationWhen Hillary Clinton, then a US Senator, arrived for a shoot with Avedon in 2003, she recalled him looking at her and saying, "I've seen this image before." courtesy Richard Avedon/The Richard Avedon FoundationFashion designer Miuccia Prada selected this image of Boyd Fortin, a teenaged rattlesnake skinner from Texas, taken in 1979. courtesy Richard Avedon/The Richard Avedon FoundationFashion designer Calvin Klein selected this infamous campaign image from his label's archives. courtesy Richard Avedon/The Richard Avedon FoundationFilmmaker Sofia Coppola chose this iconic 1958 photograph of model China Machado. courtesy Richard Avedon/The Richard Avedon Foundation“Avedon 100” is on view at Gagosian in New York through June 24.
Fenway Park at sunrise Photo: Boston Red SoxDavid Rubenstein —business leader, Washington insider, mover, shaker and a philanthropist of considerable renown—is too smart to imagine himself an electrifying TV personality. As host of “Iconic America: Our Symbols and Stories With David Rubenstein,” he might best be described as endearingly colorless. Iconic America: Our Symbols and Stories With David Rubenstein Wednesday, 10 p.m., PBSAs explored in the eight-episode series, the subjects are not the big-ticket, big-budget Ken Burns -style thematic launch points—jazz, or the Old West or the Civil War. But each chapter does represent something about America that is under-explored and worth exploring, if only because it is so sorely taken for granted. Or Fenway Park, the focus of episode 1.
Forum, founded in 1948 to ensure that Mexican American World War II veterans could access their government benefits. “Latinos have a long and honorable tradition of military service,” he said, “only somehow it is not as well-known as that of other groups. According to the Department of Veterans Affairs, there are nearly 1.3 million Latino veterans, or about 8 percent of the veteran population. Issues for Latino veterans, Vazquez-Contes noted, range from accessing medical care through the Veterans Administration system to homelessness to suicide. “The promotion rates for the top enlisted ranks, and the top officer ranks, are just basically void of Hispanic names.”Ricardo Aponte of the Hispanic Veterans Leadership Alliance.
What America Gave My Father—And What He Gave Back
  + stars: | 2022-09-28 | by ( Jon Hilsenrath | ) www.wsj.com   time to read: +1 min
It was a foggy September morning in 1941 when he approached Ellis Island on the deck of a boat called the Serpa Pinto. An 11-year-old Jewish refugee separated from his parents, he had spent two years shuttling through French orphanages in flight from the Nazis. Remembering the sight of the statue 80 years later, he was still stirred by his first enchanted vision of freedom. The country has a long history of conflict over newcomers that is at odds with its image of itself as a welcoming melting pot. “The U.S. and the Holocaust” recounts exhaustively the migration barriers and public bigotry that plagued desperate Jewish people seeking refuge in the U.S. in the 1930s and 1940s.
What America Gave My Father—and What He Gave Back
  + stars: | 2022-09-28 | by ( Jon Hilsenrath | ) www.wsj.com   time to read: +1 min
It was a foggy September morning in 1941 when he approached Ellis Island on the deck of a boat called the Serpa Pinto. An 11-year-old Jewish refugee separated from his parents, he had spent two years shuttling through French orphanages in flight from the Nazis. Remembering the sight of the statue 80 years later, he was still stirred by his first enchanted vision of freedom. The country has a long history of conflict over newcomers that is at odds with its image of itself as a welcoming melting pot. “The U.S. and the Holocaust” recounts exhaustively the migration barriers and public bigotry that plagued desperate Jewish people seeking refuge in the U.S. in the 1930s and 1940s.
It's fascinating as history, but sobering as current events. Yet they took a back seat to the more pressing fight against Hitler, first in his quiet support for England, and later with America's entry into the war. Understanding the US's role during the Holocaust requires going back before it, contemplating anti-immigrant sentiment that percolated through the 1920s, auto magnate Henry Ford's virulent anti-Semitism and interest in eugenics and racial superiority. As historian Timothy Snyder notes, Hitler expressed admiration for brutality toward Native-Americans in seizing their lands, seeing it as "The way that racial superiority is supposed to work." Broken into three chapters, the first encompasses the prewar period, the second 1938-42 and the third the conclusion of the war and its aftermath.
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